The article highlights the specifics of modeling the image of Hryhorii Skovoroda in films using cinematographic means and the selection of actual material from the artist’s biography. In the feature film “Hryhorii Skovoroda” to model the film image of the artist, antithesis, retrospection, mediated characterization of Hryhorii Skovoroda by secondary characters, his psychological state, presented by facial expressions and gestures, deeds, attitude to situations and people, philosophies of the sage were used. In documentaries, the cinematic image of Hryhorii Skovoroda is created by mediated characteristics, factage, contrasting opinions regarding the writer’s lifestyle, and his use by a philosopher.
Keywords: philosopher, media text, modeling, film image, characteristics.
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DownloadDOI: https://doi.org/10.17721/2520-6346.2(63).183-190