Анакреотичні мотиви у ліриці Максима Рильського

Наталя Науменко

doi:10.17721/2520-6346.1(68).76-90

Authors

Natalia Naumenko Dr Hab., Prof. ORCID ID: 0000-0002-7340-8985 , National University of Food Technologies Author

DOI:

https://doi.org/10.17721/2520-6346.1(68).76-90

Keywords:

the 20th century Ukrainian literature, M. Rylskyi's works, poetry, wine, imagery, anacreontics

Abstract

The author of this article analyzed the 'wine-imaged' poems by Maksym Rylskyi, written in different years, having based on the esthetic concepts of the anacreontic style. Dated back to the early period, these were the folk song stylizations ('White snow, red wine...'), philosophical meditations ('I've just taken a sip from my glass...'), sonnets related to intimate lyrics ('Once in warm days of vintage...'); whereas in the 1950s the generic palette of Rylskyi's 'wine' poetry got complemented with lyrical portraits ('A Winegrower,' 'Roses and Grapes'). This method allowed confirming M. Rylskyi's lyrics as the base for Ukrainian 'khamriyyat,' or the specific poetic massif connected with images of wine drinking and tasting, feasts, and love. The importance of researching the poetic heritage under this angle is defined as revelation and interpretation of archetypal imagery through the details of everyday life.

References

Ageyeva, V. (2012). The Art of Balance: Maksym Rylskyi on the Background of the Epoque. Book [in Ukrainian].

Franko, I. (1981). From the Secrets of Poetic Creativity. Collection of Works: in 50 vol. Vol. 31: Literary-Critical Works. Scientific Thought (p. 45-119) [in Ukrainian].

Halchuk, O. (2013). "...A Myth Doesn't Pass": The Antique Text in Poetic Space of Ukrainian Modernism in 1920-1930s. Books-ХХІ [in Ukrainian].

Kobylyanskyi, V. (1959). Poems. Soviet Writer [in Ukrainian].

Kostenko, N. (2006). The 20th Century Ukrainian Versification. PPC "Kyiv University" [in Ukrainian].

Kotsiubynskyi, M. (1979). The Dream. Selected Works: in 3 vol. Vol. 3. (р. 111-134). Dnipro [in Ukrainian].

Kotsur, V. (Ed.). (2002). Thesaurus of Ukrainian Culture Symbols. Millenium [in Ukrainian].

Kovaliv, Yu. (Ed.) (2007). Literary Encyclopedia: in 2 vol. Vol. 1: Aba - Lament. Academy [in Ukrainian].

Morenets, V. (2002). National Trends of Poetic Modernity in the First Half of the 20th Century: Ukraine - Poland. Solomiia Pavlychko Publishers "Fundamentals" [in Ukrainian].

Naumenko. N. (2018). The Gilded Bell, Eternal Heal for Souls: Images of Wine in Ukrainian Poetry. Steel Publishers [in Ukrainian].

Novychenko, L. (1993). Poetic World of Maksym Rylskyi. Book 2: 1941-1964. Scientific Thought [in Ukrainian].

Olhoff, F. (Ed.) (2010). Wine and Philosophy: Symposium of a Thought and a Goblet. Tempora [in Ukrainian].

Rylskyi, M. (1983). Collection of Works: in 20 vol. Scientific Thought [in Ukrainian].

Serafini, M., Del Rio, D., N'Dri Yao, D., Bettuzzi, S., & Peluso, I. (2011). Health Benefits of Tea. In: Herbal Medicine. Biomolecular and Clinical Aspects. https://www.ncbi.nlm.nih.gov/books/NBK92768/

Shust, L. (2023). Coloristic Semantics in Early Poetry by Maksym Rylskyi. Slobozhanschyna Scientific Herald. Series: Philology, (3), 98-102 [in Ukrainian].

Shytyk, L., & Yuldasheva, L. (2024). Linguo-cultural concept WINE in Ukrainian Language Picture of the World. Acta Academiae Beregsasiensis. Philologica, (1), 46-62 [in Ukrainian].

Smolnytska, O. (2019). Dionisian Motifs in Poetry by Maksym Rylskyi and Yuriy Klen. Scientific Journal of Mykhailo Drahomanov National Pedagogical University. Series 8. Philology (Linguistics and Literary Science), (11), 94-99 [in Ukrainian].

Sodomora, А. (2006). Studies of One Poem. Chronicle [in Ukrainian].

Stavytska, L. (2000). Esthetics of Word in Ukrainian Poetry Dated by 1910¬1930s. Yaroslavyches' Truth [in Ukrainian].