PSYCHOPHONOSEMANTICS OF PROPER NAMESIN VASYL ZEMLIAK’S NOVEL “FLOCK OF SWANS”AS A SIGN OF THE NATIONAL ARCHETYPE SYSTEMOF UKRAINIANS Oleksandr Kholod, DSc (Philol.)
THE SPECIFICS OF CHILDREN’S IMAGE MODELINGIN THE STORIES OF V. ZEMLIAK “HOW THE CUCKOO CUCKOLDED”,”TYKHONIA”, “FOREST’S DAUGHTER” Anna Kholod, PhD (Philol.), Prof.
VASYL ZEMLIAK AND THE LITERARYAND ARTISTIC LIFE KYIV IN THE 1960–70s Sergiy Trymbach, Senior Researcher, Corresponding member of the National Academy of Arts of Ukraine
ARTISTIC HIPPOLOGY IN THE WORKSOF V. ZEMLIAK AND V. DROZD Tetiana Tkachenko, DSc (Philol.), Assoc. Prof.
CREATIVE DIALOGUE OF ARTISTS:V. ZEMLIAK − I. MYKOLAYCHUK; V. ZEMLIAK − V. DENYSENKO(based on the material of the films “Babylon XX” and “Conscience”) Anatoliі Tkachenko, DSc (Philol.), Prof., Mariia Shuliak, Bachelor
ARTISTIC EXPRESSION OF THE AUTHOR’S POSITIONIN UKRAINIAN AND FRENCH SHORT PROSEOF THE MIDDLE OF THE 20th CENTURY(on the example of the texts of Vasyl Zemliak “Tykhonia”and Jean Jionnot “The man who planted a tree”) Olena Pylypei, PhD (Philol.)
“TYKHONIA” BY VASYL ZEMLIAK AS THE SPECIMENOF MODERN UKRAINIAN ANIMALISTIC PROSE Nataliia Naumenko, DSc (Philol.), Prof.