The article traces the innovation of Mark Kropyvnytskyi’s artistic thinking on the material of his little-known play “Olesya”. Peculiarities of the dramatist’s interpretation of the principles of the “new drama” are observed. His contribution to the development of figurative, generic and stylistic as well as problematic and thematic palette of Ukrainian drama of the end of the XIX century is proved.
Key words: “new drama”, problematics, a positive hero concept, inner action, monologue, new architectonics.
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Download DOI: https://doi.org/10.17721/2520-6346.60.35-48
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