The article is devoted to finding out the degree of identity of the literary image of Hryhorii Skovoroda with his real figure in the poem-symphony of P. Tychyna and the novel in prose and verse of V. Polishchuk. Both authors, acting within the limits of artistic reality, in a different, non-identical environment, presented not a copy of the philosopher and poet, but their own interpretations, interpreted it as a text, but imposed personal and corporate (party-ideological) matrices on it, which did not always correspond to it entities. When P. Tychyna went to H. Skovoroda through music, V. Polishchuk through scientific reception. Obligatory sociological and class algorithms were also indicated. The author’s images of the poet and philosopher were staged. Therefore, the question arises about the real concrete-historical H. Skovorod as a text, which should have suggested to the authors adequate codes
for reading his essence hapax legomenon (Latin: thing or phenomenon in one instance), when they would proceed from the text (concept), and not from myself The intrigue of identity remained unresolved, the poet-philosopher and the environment operated (operate) with different symbolic systems, always were and remain different, different.
Keywords: identity, typological series, hapax legomenon, existence, spiritual values, Panna symbology, decoding.
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DownloadDOI: https://doi.org/10.17721/2520-6346.2(63).88-98