Historical narrative in contemporary ukrainian dramature
DOI:
https://doi.org/10.17721/2520-6346.2(69).250-267Keywords:
Ukrainian literature, poetics, contemporary drama, decolonization, narrative, author, recipient, biographical dramaAbstract
Background.The article examines the historical narrative as a meaningmaking basis of contemporary Ukrainian drama, which is implemented in the relevant categories of narrative and functions as an active consolidating factor of contemporary culture.
The relevance of the research is determined by the need for a comprehensive and multi-faceted study of contemporary Ukrainian drama in its narrative embodiment, thanks to which the connection of the artistic text with the emotions, values, personal projections of the recipient is established, and the selfinterpretation and identification of the consumer of the artistic product is formed.
The purpose of the study is to observe the specifics of the implementation of narrative categories in the texts of new playwrights, to consider the dramaturgical event, temporality and intentionality in connection with theatrical media, to understand the historical, biographical and gender themes of contemporary Ukrainian drama in a narrative perspective.
Methods. The work used general scientific methods of observation, analysis, synthesis, selection and systematization of material. In addition, comparative-historical, comparative-typological, intertextual, mythocritical, descriptive methods regarding the subject of the article.
Results. The results of the study reveal the role of historical narrative and its functions in contemporary culture, outline productive figurative-thematic models in which the historical narrative of drama is implemented, and reveal interesting and highly artistic textual techniques for the development of the narrative.
Conclusions. The study proves that plays united by a historical narrative represent a national-centric model of thinking, perform a compensatory function in understanding the traumatic experience of society, contribute to the reconstruction of national memory, ensure the search and restoration of different levels of identity, in the context of the current decolonization discourse.
References
Arie, P. (2015). Grandma Prisa and other heroes. Dyskursus [in Ukrainian].
Huhn, P., & Sommer, R. (2012). Narration in poetry and Drama. http://wikis.sub.uni- hamburg.de/lhn/index.php/Narration_in_Poetry_and_Drama
Mykolaichuk-Nyzovets, O. The Alchemy of Time. A Collection of Dramatic Texts. Svit Znan, 2019 [in Ukrainian].
Myroshnychenko, N. (Comp.). (2016). The Voice of the Silent Abyss and Other Voices. An Anthology of Modern Ukrainian Drama: Solo Plays. Feniks [in Ukrainian].
Papusha, I. (2013). Modus ponens. Essays in Narratology. Krok [in Ukrainian].
Schwanecke, C. (2022). A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century. Walter de Gruyter GmbH & Co KG.
Shapoval M. (2009). Intertext in the Light of the Ramp: Intertextual and Intersubjective Relations of the Ukrainian Drama. Avtohraf [in Ukrainian].
Shapoval, M. (2020). The intellectual's artistic biography in S. Rosovetskyi's dramatic. Synopsys: tekst, kontekst, media, 26(1), 1-10 [in Ukrainian].
https://doi.org/10.28925/2311-259x.2020.1.
Shapoval, M. (2022). Narrative Reconstruction of Biography in Contemporary Ukrainian Dramaturgy. Biography. Biographics. Biographical science, (1), 73-77 [in Ukrainian]. http://irbis-nbuv.gov.ua/everlib/item/er-0004350
Vereshchak, Ya. (Comp.). (2016). Motanka: An Anthology of Ukrainian Women's drama. Svit znan [in Ukrainian].
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Мар'яна ШАПОВАЛ (Автор)

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.





