Markers of negative verbal evaluations of the life and creativity of O. Dovzhenko as a tool for forming the ideology (based on declassified documents of the special services)
DOI:
https://doi.org/10.17721/2520-6346.2(67).168-219Keywords:
creativity of O. Dovzhenko, ideologeme, markers, negative assessments, tools, visualizationAbstract
Background. Our study aimed to identify and describe markers of negative verbal assessments in the materials of declassified documents of the special services regarding the life and work of O. Dovzhenko as a tool for forming an ideologeme.
Methods. In the first stage, we identified four classes of words with markers of negative assessments of the life and work of O. Dovzhenko in 24 randomly selected fragments of texts. In the second stage, we grouped the identified classes of words into a continuous list and turned to the artificial intelligence program (Chat GPT4.0) with instructions to create a portrait of O. Dovzhenko. The third stage of the study involved expanding the number of research tools to three electronic artificial intelligence programs ("Chat GPT4.0"; "Chat Mistral"; "Playground") with instructions to create visualizations of the ideologeme "O. Dovzhenko". At the fourth stage of the study, based on the verbal ideologeme "O. Dovzhenko" two programs ("Chat GPT4.0." and "Chat Mistral AI") created two visual images.
Results. We found that out of 100% (1456) of words in the selected fragments with verbal markers of negative assessments of the life and work of O. Dovzhenko in the analyzed texts, only 12.7/ were represented by nouns, adjectives, verbs and adverbs with negative semantics. Only every eighth word in the selected texts of declassified documents regarding O. Dovzhenko has negative evaluative words/lexemes. Visualization of the ideologeme "Olexandr Dovzhenko" by verbal markers made it possible to state the negative sad image that circulated in the press, on the radio and in the minds of citizens of the Soviet Union during the 1920s-1930s.
Conclusions. The word markers of negative assessments of the life and work of O. Dovzhenko are not adequate to the real negative assessments of the filmmaker. If ideologemes based on word markers stimulated artificial intelligence programs to create portraits without taking into account the specifics of the negativity of the figure of O. Dovzhenko, then the verbal text description of the ideologeme allowed artificial intelligence programs to create an adequate portrait-image of the filmmaker. The latter was successfully exploited by the Soviet authorities from the 20s to the 30s of the twentieth century to achieve the "higher" socialist goal of "cleansing" Soviet society from Petliurists, Trotskyists, Ukrainian nationalists, etc.
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