Pecificity of modeling the media image of O. Dovzhenko in the magazine "Kino" for the period from 1926 to 1927
DOI:
https://doi.org/10.17721/2520-6346.2(67).150-167Keywords:
media image, genres, film, magazineAbstract
Background. The work of O. Dovzhenko, in particular films, graphics, and literary works, has repeatedly become the object of research by scientists. The assessment of the artist's work in the Ukrainian and foreign press allows us to create a general picture of the recognition of his talent in different countries. However, the study of the media image of O. Dovzhenko remains a little-studied topic. The article "Specifics of modelling the media image of O. Dovzhenko in the magazine "Kino" for the period from 1926 to 1927" sets the goal of studying the specifics of modelling the media image of O. Dovzhenko in the magazine "Kino" for the years 1926, 1927, which will contribute to the formation of a holistic idea of his media image.
Methods. The study used analysis, synthesis, generalization, descriptive and comparative methods.
Results. The text and image materials of the magazine Kino for 1926 and 1927 were analyzed, taking into account the information obtained during the study of O. Dovzhenko's films "The Berry of Love" (1926), "The Diplomatic Messenger's Bag" (1927), and "Zvenygora" (1928). It was found that the editorial staff of the magazine Kino used a wide range of media products to model a predominantly positive media image of O. Dovzhenko.
Conclusions. The media image of O. Dovzhenko in the magazine "Kino" began to take shape in 1926, when publications related to his films "Vasya the Reformer" (1926) and "The Berry of Love" (1926) appeared. The image of the film director was formed thanks to such genres as notes, mini-essays, portrait sketches, essays, photographs of episodes of the artist's films with texts; drawings, photo collages, cartoons with verbal accompaniment, emphasizing the originality of O. Dovzhenko's talent and his innovative approaches in cinema. During 1926 and 1927, a positive image was mainly created in the magazine "Kino". However, one case of negative modelling in a cartoon was recorded, presumably caused by the author's creative style, not by the attitude towards the director.
References
Bachelis, I. (1927). The threat of the movie-vamp! Cinema, 4, 10-11 [in Ukrainian].
Buzko, D. (1927). On the struggle and about "Zvenygora". Cinema, 18 [in Ukrainian].
"Vasya the reformer". (1926). Cinema, 10, 19 [in Ukrainian].
Denysiv, A. (1926). Theory and practice of the Ukrainian film school. Cinema, 11, 20-22 [in Ukrainian].
Doniy, V. S. (2019). The work of O. Dovzhenko: a paradigm of receptions. Transcarpathian Philological Studies, 2(7), 117-122 [in Ukrainian]. http://zfs- journal.uzhnu.uz.ua/ archive/7/part_2/26.pdf
"Zvenygora". (1927). Cinema, 15-16, 13 [in Ukrainian].
Lyadov, M. (1927). O. Dovzhenko. Cinema, 5, 6 [in Ukrainian].
Drawing of an episode of the film "Love Berry" with verbal accompaniment "Love Berry". (1926). Cinema, 11, 26 [in Ukrainian].
Drawing with verbal accompaniment "«Zvenygora» - this is my party card... Dir. O. Dovzhenko". (1927). Cinema, 23-24 [in Ukrainian].
Matyushchenko, A. (2022). "Olexandr Dovzhenko. The birth of a new dramaturgical genre". Siveryanskyi litopis, 2, 99-104 [in Ukrainian]. https://doi.org/ 10.5281/zenodo.7013631
Medvid, N. O. (2016). O. Dovzhenko and the world. Scientific Bulletin of the International Humanitarian University. Ser.: Philology, 1(20), 32-34 [in Ukrainian].
Cover of the magazine "Cinema". (1927). Cinema, 21-22 [in Ukrainian].
"O. Dovzhenko". (1927). Cinema, 5, 12 [in Ukrainian].
Column "Cinematographers in a Crooked Lens". (1927). Cinema, 14, 9 [in Ukrainian].
Three photographs of episodes from the film "The Diplomat's Bag". (1927). Cinema, 2, 10 [in Ukrainian].
Trosha, N. (2019) Artistic representation of the concept of "renegade" in the literary work of Oleksandr Dovzhenko. World Literature: Poetics, Mentality and Spirituality, 13, 138-145 [in Ukrainian].
Filmar. (1927). Cinema, 2, 6 [in Ukrainian].
Photograph of an episode from the film "Zvenygora" with the caption "Artist Nademsky in the role of a grandfather from the film «Zvenygora»". (1927). Cinema, 18 [in Ukrainian].
Photograph of an episode from the film "Zvenygora" with the caption "Artist P. Otava in the film «Zvenygora»". (1927). Cinema, 18 [in Ukrainian].
Photograph of an episode from the film "Zvenygora" with the caption "Artist Svashenko in the role of Tymoshka from the film "Zvenygora". The film was directed by O. Dovzhenko". (1927). Cinema, 19-20, 1 [in Ukrainian].
Photograph of an episode from the film "Yagidka kokhannia" with the caption "Artist Kapka in the role of a salesman from a trinket shop in the comedy «Yagidka kokhannia»". (1926). Cinema, 11, 20 [in Ukrainian].
Photograph of an episode from the film "The Berry of Love", where Zhan Kolbasyuk plays the guitar. (1926). Cinema, 11, 21 [in Ukrainian].
Photograph of an episode from the film "The Berry of Love", where a duel takes place between Zhan Kolbasyuk and an elderly man. (1926). Cinema, 11, 21 [in Ukrainian].
Photograph with the caption "The Murder of a Diplomatic Courier". (1927). Cinema, 4, 10 [in Ukrainian].
Photograph with the caption "Shots from the film "The Diplomatic Courier's Briefcase". Director O. Dovzhenko. Cameraman Kozlovsky. In the photo - a ballerina (artist Penzo) found a hidden briefcase". (1927). Cinema, 4, 10 [in Ukrainian].
Photograph with the caption "Scene in a tavern. They beat a spy". (1927). Cinema, 4, 11 [in Ukrainian].
Photograph with the caption "A spy (artist Zagorsky) peeps through the porthole on a ship". (1927). Cinema, 4, 11 [in Ukrainian].
Photograph by O. Dovzhenko with the caption "O. Dovzhenko". (1927). Cinema, 2, 6 [in Ukrainian].
Photograph by O. Dovzhenko with the caption "O. Dovzhenko". (1927). Cinema, 5, 12 [in Ukrainian].
Photo collage from the film "Vasya the Reformer". (1926). Cinema, 9, 10 [in Ukrainian].
Photo collage from the film "The Diplomatic Briefcase". (1927). Cinema, 3, 2-3 [in Ukrainian].
Photo collage from the film "The Diplomatic Briefcase". (1927). Cinema, 5, 8-9 [in Ukrainian].
Yurchenko, Yu. (1927). The Story of a Master. Cinema, 5, 8-9 [in Ukrainian].
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Literary Studies
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
